‘Under the Bridge’ is a blend of 11 photographs that were taken on a tripod in a bicycle highway at the end of a working day. Many young men and women use it on their way to a Hi-Tech neighborhood in Tel Aviv, or back home. I summoned the film photography master, Jerry Uelsmann, to justify the claim that this is nevertheless ‘photography’.
Iris photography in nature is a challenge. Here’s a photograph of the rare endemic Dark Brown Iris, standing in the wind. I developed a new expressionism technique to show both the wind movement and the grass exquisite frozen details. Don’t miss it! As always, I also ask: Is it art? Is it a photograph? Those are questions that should always be asked, but not always be fully answered.
I went a few times this autumn to photograph sunsets from above a cliff in Tel Baruch, a northern beach of Tel Aviv. Here are a few photographs, showing differences in light and techniques used.
On March 24th, 1997, in Ann Arbor Michigan, I created this three exposures photograph of a moon eclipse on a color slide. This post tells the story. It begins with a miracle in a freezing cold night, continues by explaining crucial technical decisions that made it happen, and ends with the final decision to show it in black and white.
I describe here the make of a photograph, with deeper thoughts in mind. If a photograph is just a representation of reality, then what would it be if we change it in some major way, say, by erasing all colors? Is it still a photograph? If this is an artistic decision, what is art?
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